I find Barber's "Scar" to be a powerful poem in part because of what it hints at. Like many a good short story, it leads us down a path of history and drops us off just before things are about to turn, or at least may turn. That we don't know--but that we suspect--the final ending is the scary part. Read the poem here at Marco Polo.
Levy's poems are musings from a lover--or a fan--and they're spectacularly poetical, full of odd turns of phrase and metaphor, unexpected dabblings in linguistic dexterity. Levy asks Johansson not to leave him, but my question is, is she listening? Because if she isn't, she needs to be. Read the prose poem here at Diagram.
Koroch's apology pulled me in just with its title, and the poem is pretty much what the title says. As you can imagine, it's kind of funny--and kind of sad. I hope to avoid building friendships like this one. Read the poem here at Ramshackle Review.
Monday, June 27, 2011
On "The Scar" by Cathy Barber, "From Don't Leave Me Scarlett Johansson" by Thomas Patrick Levy, and "Half-hearted Apology" by Nicole Koroch
Labels:
Connie Barber,
Diagram,
Marco Polo,
Nicole Koroch,
Poetry,
Ramshackle,
Thomas Patrick Levy
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2 comments:
I don't read too many poems, but the Scarlett Johansson title sucked me in. So visual and it flowed so well I kept reading it quickly and had to will myself to go slower. I liked his explanationa at the end.
Well, the Scarlett Johansson poem is at Diagram--one has to expect something wonderful--and different--there.
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