There's a kind of schtick that goes along with most fiction, a style that tells you this is a made-up story rather than nonfiction or even autobiography. Contemporary fiction exists in this strange land between the film and history. I'm going to tell you a story in words. I'm going to use descriptions to show how well I can use them, and I'm going to drop in lines of dialogue that will be used in the movie adaptation. I'm also going to use narrative in a format that is sort of like reading about what happened last night at the riots, but it's going to be much more full of detail about minor things that don't matter--and I'm going to make them matter.
That's why, an opening like that of Jones's "Edge of Water," is so pleasant. It had, for me, the feel of authenticity. I see now that I was being manipulated, as in any fiction, but starting off, I was launched immediately into a voice. This, I felt, is a real person writing these words, telling me about his recovery from his accident during the Iraq War. That voice is a start, and with it, Jones carries readers through to the tale's confrontational end. Read it here at r.k.v.r.y.
Wednesday, August 14, 2013
On "The Edge of Water" by Kevin Jones (2891 words) ***
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2000+ words,
Kevin Jones,
Rkvry,
Stories,
Three-Star Stories
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