Thursday, May 25, 2017

On "Decline and Fall" by Evelyn Waugh ****

Waugh's first novel showcases the same dry humor that is apparently present in most of his fiction. Throughout, great one liners are popped off randomly. Meanwhile, the story itself is, while funny, somewhat dark. However, Waugh is definitely English. There's a kind of obsession with class and with title that doesn't quite exist in the same way in American fiction.

The story revolves around one Paul Pennyfeather. Waugh denotes it himself toward the end of the book: Pennyfeather is a static character. Things happen to him, rather than he doing things to others. And that's right where the book starts. Paul is studying to become a minister when he is mistaken for a person from another college, a person whom revelers see fit to attack by stripping him and forcing him to dance naked in public. This results in Paul losing his place at the divinity school and sets into process the rest of the novel's events.

Where Paul ends up first is at a school for young boys. Waugh, in this first part of the book, pokes easy fun at academia and teaching. Paul has no credentials, but he seems utterly perfect to the man doing the hiring. The main job, it seems, of the teacher is mostly to babysit the students. At the school, Paul meets several other men, including Grimes, a former military man; and a man who tells tall tales about himself. The latter ends up being a crook of sorts and is arrested. The former marries but is already married, and so gets caught for bigamy, fakes his death, and escapes.

Paul opts to marry into a noble family, the mother of one of his students. Unbeknownst to him, the woman is a purveyor of prostitution, procuring young English girls for use overseas. Paul, believing he is helping the girls attain noble standards, agrees to help out with the family business, but on the eve of his wedding, he is arrested. His job finally becomes plain to him.

Now in prison, he meets up with all the people he used to teach with. Like Grimes, who begins anew by faking his death at each ill turn, Paul is given such an option as well.

Do we feel for Paul? He is a rather pitiful character, and I found myself not that concerned about him until, in prison, his fiancee, who is the cause of his imprisonment, announces she is marrying someone else. The odd thing is that by this time, Paul doesn't care: he hurts because he doesn't hurt, as Waugh writes. That's the sad part, that he seems so lost to any good in life.

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