It has much in common with Pop. 1280, which I'd recently read--both are about killer sheriffs. But where that one plays things much more for laughs, this one is a bit more serious. That sheriff is over-the-top in acting dumb, and he doesn't let readers in on it: we have to discover such for ourselves. But in this book, the sheriff, Lou Ford, pretty clearly to us readers reveals his cards early on: that he's putting on an act. In a way, I think that works better.
Ford suffers from, he says, "the sickness." There are, I suppose, some psychological dimensions going back to his childhood, not wholly interesting or convincing. What's more interesting is to watch how one action spirals into the set that follows, one murder becomes many more to cover it up.
The work proves suspenseful as one watches Ford attempt to cover each crime. Finally, as the murders mount up, one's feelings for the victims begin to come to the fore. It's not so much that one hates Ford--he becomes more and more pitiful--but one hates what he does to others.
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