On “The Edge of Marriage” by Hester Kaplan *****

I was blown away by this collection when I read it about twenty years age, which is why it resides so much in my memory as a great work. This time around, I could see the skill involved—Kaplan is a remarkable writer—but at the same time, I felt more manipulated. I'm not as much of a fan of fiction as I once was. What made me like fiction was that I felt like I was getting a deeper glimpse into the society and the people in it than one could get from nonfiction; these days, though, I tend to feel all the more the writer's use of puppet strings, the artistry of the fiction itself, which rather undoes the mistique of genuiness I used to find in such works.

Most of the stories in Kaplan's first collection, as one might expect from the title, revolve around marriages in some state of disrepair. “Would You Know It Wasn't Love?” subtly hints at a man's growing dimensia even as it revolves around a grown daughter who has come back to live with her parents after her marriage has proven to be somewhat less than satisfactory; the dad is not too keen on this, even while the mother seems perfectly fine with the situation.

“Dysaesthesia” is the most powerful story in the collection and the one that probably sold me most on the book when I first read it. An older first-time wife who married in part just to be able to have a marriage and family finds herself with a husband, an art professor, who is a prolific cheater, even as she attempts to raise their daughter, who idealizes both parents. The issue, however, is that one of those cheating sections goes disastrously awry, and now the wife finds herself the likely caretaker to a mostly disabled and unemployable husband. Were it not for the daughter, I would figure this marriage would be on its way to a quick divorce. As it is, however, one really ends up feeling just awful for this woman and the family in general—and even a bit of the husband's frustration.

“From Where We've Fallen” involves another couple with an adult child, this one a kid who can't hold down a job except as employed by his dad. Alas, even that is tenuous, as the son's actions put his father's business in jeopardy, and the father finds himself lying to protect his family but in the process hurting others.

“Cuckle Me” focuses on an old man and his youngish female caretaker, one who has come to love him almost as a husband, even as the man's son isn't particularly keen on the closeness that has arisen between the two.

The title story focuses on an older couple, the wife of whom has lost her best friend, leaving of course just her husband as her main social conduit. The story basically details how our relationships change with age. “Goodwill” walks a similar line, this time with a daughter grieving her mother's death, as she goes through her mother's things deciding what to keep and what to throw away (probably the weakest story in the collection, insofar as there are no real surprises here, and it seems mostly just a laundry list of items attached to memories).

“Claude Comes and Goes” focuses on a couple and their best friend—an ex-lover of the wife's, who lives a stereotypical bachelor life: different women all the time, never eating at home, and so on. In this case, Claude tries to establish a relationship with a grown daughter of his who had previously never met, but as with so many such storylines, the bachelor finds that his no-connections lifestyle is not conducive to suddenly having a relative care about him.

“The Spiral” focuses on a stairwell in a house's center, and a couple's relationship with it, with the older not-so-healthful husband confined to the downstairs and the wife with her own life upstairs, until of course life changes the way they use the different parts of the house.

“Live Life King-Sized” focuses on a grown son who takes care of a resort that his family owns. But really, it's about that son's relationship with a man and his wife, a man who has decided to live out the rest of his life, what little there is of it, at the resort, scaring away other patrons in the process.